One Life, and how to remember it, ideally…

(This was originally written in March of 2011, and I had a brief moment of panic when I couldn’t find it in any of my storage places for my writing. I’m not generally super happy with most of what I write, but this was an exception. Thanks to M for being able to find it a decade later, and passing it on to me.)

I think and talk a lot about the soundtrack to our lives. Some people live life in a silent film, to stretch this metaphor; they never listen to music, or they consider it a nuisance, or (worst) are apathetic about it. I’m on the other end of the spectrum – there’s something constantly being piped out of whatever speakers or headphones that are most convenient. If I had had a say in the matter, there would have been an entrance theme playing in the hospital delivery room back (sometimes I think Puccini’s Nessun Dorma, from Turandot; too many have suggested O Fortuna). If I have a say in the matter, I’ll get to pick my exit music, as well

I did not know you
Our lives never touched 
‘Til the day they gathered 
To bid you farewell 
And they painted your picture 
And as I looked around 
I felt I saw you 
In the words and the sound

They called her Nana. In fact, it wasn’t until about thirty minutes ago that I ever knew her actual given name; I had to text my girlfriend to find that out. But then, that’s what you do with grandmothers, right? The first-born grandchild mispronounces the word grandmother, and that nickname sticks forever. It did with me, though I’m still not certain how my lack of speech impediments managed to turn “grandma” into “Merv.”

I never met Nana, as a matter of miles. She was in Boston, after moving here in the middle of last century from Scotland. I did talk to her once, briefly, on the phone, and eavesdropped on a few phone conversations thanks to the iPhone’s speaker. My girlfriend would call her on holidays, and ask her to tell one of her many jokes; she would let me listen in, and her brogue always made me smile, no matter what the punchline was.

Your talent came flowing 
Through the stories they tell 
And through the the faces 
Of those who loved you so well 
Your life gave them a treasure 
A piece of themselves 
Something to carry 
And still serves them well

There are a lot of songs about loss. As much as I don’t pay attention to lyrics, a lot of those songs are rubbish for me, because they’re too morose, or focus too much on the end of things. Not that that’s bad, or unnatural — I think our tendency as humans is to give in to grief. There’s a lot to be said for the comfort to be found in a blanket of sorrow.

But when it comes to people, to a human life and all that comes with it, I think it’s really important to push past that, as much as possible. Instead of dwelling on the loss, focus on the memories of the good, the things that impacted us as people, as friends and family and, sometimes, strangers.

I don’t know the full story behind Brian May’s Just One Life like I do with some other songs, but I kind of like it that way. To me, it’s the perfect song for today. It’s a poignantly sung lyric, a beautiful melody with a perfect arrangement, and if I tried for a million lifetimes, I couldn’t put the sentiment into words half as well as he did.

Perhaps inside you 
You were messed up like me 
But them you were whole and strong 
And friend in their need 
And what you left behind you 
And what swept over me 
Says that your life’s work 
Rolls on and on 
A piece of eternity

The exactness of this story is questionable, and the details aren’t important:

There’s a hospital room in Boston, and there are lots of relatives keeping watch over Nana as she sleeps peacefully. One of the relatives has brought in a portable CD player a few days earlier, and my girlfriend suggests in the early afternoon that they play some music (one of the hospice workers had suggested that even though she was sleeping, she might hear what was happening in the room around her). Her brother mentioned her favorite CD, and so they put the disc in and hit play, and as the first notes of her favorite music began to fill the room, she took her final breath, and moved on to whatever you want to believe happens next.

And through all the mixed feelings that flooded my head when I was being told this story, as the words rode the airwaves and bounced off of satellites and crossed the hundreds of miles between Birmingham and Boston, as memories of my own grandmothers bounced around like pinballs, one thought was constant: Nana was a lucky woman. With all the craziness in the world today, out of all the possibilities, she got to pass from this world sleeping peacefully, surrounded by people that loved her and listening to her favorite music. If I can save all my good karma and choose how to spend it, I think I’d like to cash it in on exactly that.

Rest peacefully, Nana. Your spirit carries on.

Just one life 
That is born, and is, and is gone 
Just one life 
And I’m so glad to know you 
As I know you

Brian May, Just One Life
https://www.youtube.com/watch?v=hb2c2RaUKy4

These were the best of times
I’ll miss these days
Your spirit lit my life each day
My heart is bleeding bad
But I’ll be okay
Your spirit guides my life each day

Dream Theater, The Best of Times

For Susan McGregor (1922-2011)

Just One Life lyrics written by and ©1993 Brian May, from the album “Back To The Light”; The Best of Times written by and ©2009 Mike Portnoy, from the album “Black Clouds & Silver Linings

Tales of the Coronapocalypse (day – 24? 25?)

Clearly, I’m not terribly motivated to write these days.

I’ve found plenty else to do, mind you — work continues, just from my home office instead of thirty minutes away. Been getting caught up on TV/Netflix, some reading, and maybe most importantly, getting my iTunes library cleaned up (getting rid of albums that I don’t listen to any more — or in many instances never did).

Driving around is surreal — in spite of the beautiful weather, there’s little traffic, and not a whole lot of foot traffic. Maybe people are finally staying isolated? Ha.

Apparently, instead of the pandemic bringing everyone together, we’re politicizing it. In other news, water is stupid and people are wet.

The more I sit here and try to come up with something poetic and meaningful, the more depressing this is. So I’m going back to iTunes to continue the great musical cull of 2020.

Tales of the Coronapocalypse (day 2)

Bing coronavirus map
Clearly, I’m marking the day count by how long I’ve been cooped up. Typical American.

The weirdest thing to me — that thing that you don’t notice how different it is, until something tips you off, and then you do, and then you can’t stop noticing it — is the sound. It’s not necessarily quieter, but it is — less traffic, more bird noises (granted, it’s the beginning of spring, but still)…

And then suddenly today, it hits me — there’s less air traffic. Duh. But you don’t realize how inured you’ve become to The Way Things Are until suddenly they aren’t.

I’m less concerned with the fears of what might happen than I am with not knowing. I don’t know if that makes any sense. Over the weekend, as Alabama went from zero cases to Hold My Beer, motherfuckers, i found myself getting hit with heavy doses of anxiety — not something I’m typically experienced with, on any noticeable level, at least. But as I processed worst case scenarios, and best case scenarios, and finally found myself settling back into the area of real-world probability — not that that’s something I’m super okay with, mind you — I found myself breathing just a little easier.

We’ve survived wars, terror attacks, pandemics that were far more deadly, and our own worst, and we’ll survive again and again. And eventually even the new normal becomes — well, if not pleasant and acceptable, then at least commonplace.

I miss the drive into work (not the drive home, yet), the lake behind the building, not second-guessing public exposure, and casually going to the grocery store to get whatever I’m craving in the moment. I’m enjoying the change in aural scenery, not having to deal with afternoon traffic, and Outlander.


You’re a guest of the MacKenzie. We can insult ye. But god help any other man who does.

– Murtagh Fitzgibbons

Warren Ellis says it best, again…

“I’ve generally avoided talking about this, because my brain is in a blender as it is. But now it feels like it might be worth doing at least some kind of partial personal log of these times. Someone said to me today, “I’m freaked out that you’re freaked out. You’re usually so unflappable.” And, I admit, it got to me yesterday, I put all the news feeds back on, watched borders close, started hearing about confirmed cases within two or three degrees from me.

“I mean, I’m Generation X. We all assumed this was coming, and we’ve all been ready for decades to cut you for clean water. And, since we were the generation left to roam the streets, let ourselves in and sit around alone for hours, we are entirely prepared for all this, because we learned the tools and emotions were dunned out of us early.

“It’s still a weird moment.”

https://warrenellis.ltd/jot/plague-notes/

Welcome to what Harper called in an email earlier “Coronapocalypse.” Day two of absolute isolation, pollen picked a fucking week to start coating everything, Cat hasn’t eaten me yet, and it turns out that Outlander is surprisingly good.

On power

This seems to stem from the idea that you have to be a ruthless monster in order to achieve power in the first place. The truth might be scarier. For years now, several groups of scientists have been studying the ways power impacts the human brain. They’ve found that power causes people to become more impulsive, less conscious of risk, and less able to empathize with others. The effects are severe enough to be comparable to brain damage.

(From http://www.cracked.com/blog/5-reasons-horrible-dictators-always-catch-us-off-guard/)

Ideas, not events

When I started writing here what seems like a billion years (and many different lifetimes ago), I recorded events. At the time, in my late twenties/early thirties, those things were important to me.

As I get older, I find that slipping away. There are plenty of things I want to remember, of course — people, events, places. But at least at this point on my personal timeline, those things are important to me from a sense of emotion attached to those events — and if I look at a photo or re-read the details of a day, more and more those things seem detached and disconnected from me. The things that manage to survive and stick in my head, on the other hand, I think do so because the emotions resonate.

I’m not a huge fan of recapping vacations, barring really amusing or monumental events. It makes me exhausted, and usually really disappointed that the moment has passed.

I am fascinated by my thought patterns and opinions, and the way they’ve evolved and shifted over the years. The things I found important, the things I discarded from my attention, and where I stand now. The common ground that lets me know that I’m still the same at the core, and the differences that display change (if not actual growth).

Steven Wilson’s new album is phenomenal on so many levels, but right now, at least, it hits me particularly hard on the thematic level. There’s this exploration of our interconnection (and lack thereof), and how that’s been affected by technology’s advance. And I’m the first one to say that I’m often comforted by the level of surface connection that social media and such allows me, but I’ve recently realized that I was isolatiing myself too much. The album kinda drove that nail home for me.
The song in the video is wonderful, and makes its point with clarity and grace. But watching the video — it’s a gutpunch, for certain. Even knowing what’s coming after the twentieth viewing — man, that’s rough. At least it is for me — I’m incredibly cognizant of the fluid nature of my life and my seeming inability to maintain long distance relationships. If you’re not in my life in the here and now, in the immediate proximity, then the tendency for drift is pretty strong. And I’m not a big photo person, or one who saves too many things.
And then at some point you look up, and another important person is gone, and has been, without a trace.
Water has no memory.
But maybe, at the core, I find some comfort in that — if not the concept, then the related feeling.

The beauty of a dream

I’m too old and too pragmatic and too cynical to still think this way.

It’s not as strong as it used to be — doesn’t happen as often, nor as unwaveringly. I see the holes in the thought process more readily, and I don’t fight or deny those holes as blindly.But it’s still there, that part of me… the dreamer.

I still believe in the possibility of comic books and Hollywood endings (and beginnings, and middles). Anything that I can imagine can happen. Anything that anyone can imagine can happen.

Thousands of years ago, was light from a source other than the sun or fire possible? Could you capture images for future viewing? Communicate across distances with a hunk of metal the size of your hand or travel to other planets?

Things man once swore impossible are not.

If reality can destroy the dream, why should not the dream destroy reality?

That’s the beauty of a dream — you don’t ever let it go.

I’m in love with ideas and ideals, with things that no adult believes in, with things that belong on the printed page and in celluloid nights in cinemas.

It can make it rough, being a grown-up while still holding onto childish things,… but it makes it easier, too, getting from one day to the next.

Ouroboros can go eat itself

There is nothing more disheartening to me at this moment in time* than realizing that that thing — that incident, that action, that behavior that has been weighing on you all day, angering, puzzling, bothering you, on too many levels to deal with rationally and properly — is similar if not identical to something you did in the past.

Fuck your context, and mine. Being a hypocrite sucks. Self-awareness doesn’t really balance this one out too well.

* fuck you, semantics Nazis. You’ll not be using this one against me in the future…